The Seeking Tale

We talk about Savage Spirits and some amazing stories that can come from the specializations and species in the supplement. Going from the coldness of the Executioner to finding great stories that fit the Hermit we bring you a new perspective on the Seeker Sourcebook Continue reading “The Seeking Tale”

The Astounding Conflict Tale

Ben David and Joshua talk about conflict and the dialogue that opens up from using it. From how to do it badly to how to make things much more interesting.

Continue reading “The Astounding Conflict Tale”

Eyes Up – Diamonds in the Rough

Here’s something I’ve been dealing with lately that keeps jumping to the front of my mind. How can I deal with a published adventure that has significant problems with it but has a single diamond in the rough that will drive some great sessions?

Continue reading “Eyes Up – Diamonds in the Rough”

The Deadly Space Tale

We talk about what in space can cause your players a hard time and how to make it more interesting in an adventure and story. From the terror of a black hole to the raw power of getting close to a star being in a starship can be fraught with danger. Continue reading “The Deadly Space Tale”

Eyes Up – Taking the Boring out of Randomness

GMs have to strike a weird balance in ongoing campaigns. Don’t do too much preparation; so that when players go off the blazed trail you aren’t starting the nights campfire with your notes. But, also have enough structure so they aren’t just spinning on the log flume again and again going nowhere. All while having a little bit of fun while doing it. Many people look to random tables to solve the preparation issue to avoid burning out from creative fatigue. The problem with that is many of the encounters I’ve seen using encounter tables have been horrible; worse than just throwing a dart at the index. There is little life to the encounter and the GM doesn’t understand how the monsters are to be utilized in the scene.

Continue reading “Eyes Up – Taking the Boring out of Randomness”

The Disastrous Tale

What do you do when you’re planning on throwing your players into a disaster? Why are there certain tropes to use and to avoid? We look to some that come up and many of the research you can use to make your game feel even more amazing. Continue reading “The Disastrous Tale”

The Exploration Tale

We talk about exploration and how to avoid some of the pitfalls that are so easy to come up against when bringing this to your players. From having a place be devoid of life to not remembering to have a goal once the players get to a new place we give a few ideas on how to make your exploration better. Continue reading “The Exploration Tale”

The One Shot Villain Tale

We talk of Thrawn and grand villains as well as thugs that are easier to completely defeat. The discussion goes from why you want to use them and how you can frame long term villains within their own narrative for how they got there.

This episode would not have happened without the article posted on Eleven – Thirty Eight

Continue reading “The One Shot Villain Tale”

The Analog Tale

We talk of Star Wars and how technology should be a support for your story unless it becomes the complete centre of it. We go from discussing the tech and some of the oddities to discussing how to use it at your table in ways that move the story forward. Continue reading “The Analog Tale”

The Atypical Campaign Tale

We talk about adventures without combat in this episode. And look at many different ways of creating a dramatic narrative without forcing the players to pick up a blaster.

Continue reading “The Atypical Campaign Tale”

The Deep NPC Tale

We talk NPCs and how to make them and your base interesting in an Age of Rebellion setting, as well as the varried locations you’ll run across in Edge of the Empire and Force and Destiny. Continue reading “The Deep NPC Tale”

The Hard Crime Tale

We go looking at new ways your players can slip deeper into a crime lords grasp and how you can give the players two choices that they don’t want to take. Ben and David talk about how crime in fiction isn’t always happy go lucky and can be a huge moral quandary for those involved. Continue reading “The Hard Crime Tale”

The Crossed Personalities Tale

We talked about The Crossroads Sector last week. This week we populate it with a family with a dark secret, a desperate criminal with a heart of gold, and a ghost ship that holds a terrifying secret. Continue reading “The Crossed Personalities Tale”

Eyes Up: Messing with Money

Creating a story out of, or imposing a story upon, a roleplaying group is a very daunting thing. Taking a look at what The Angry DM has written this week got me back thinking about why we use anything at the table, from an NPC to a blaster pistol. There are so many different levers you’re able to use to get to the same place whether it’s character power or world based. Continue reading “Eyes Up: Messing with Money”

The Crossroads Sector Tale

Wow, we made it to 100 episodes of Tales. We’re celebrating by giving you a huge gift of a new sector with interesting planets and some dangerous places where the profit can be bigger then a smuggler can imagine. Continue reading “The Crossroads Sector Tale”

New Site Announcement

We now can be found at TheHydianWay.com where you can find links to as much of what we talk of as we can find, as well as all previous episodes and some bonus content for our loyal followers.

The Public Force Tale

We talk of the repercussions of using the force publicly in the Empire and how it becomes this impending doom that is creeping upon the players. From Moffs to Hutts and every where in between we find the ways people will try to control the power of the force. Continue reading “The Public Force Tale”

The New Player Tale

This week we talk to Susan White, the player of Behr on Dice for Brains. We talk to Susan about being a new player at the table and how to be better at improvisation from the player side of the screen. Continue reading “The New Player Tale”

The Jelly Tale

We have Ross Rockafellow back to talk more about morality, conflict, and sith flying squirrels with us to learn how to use each more effectively at our tables.
Continue reading “The Jelly Tale”

The New Worlds Tale

Ross Rockafellow from Dice for Brains sent us a message about wanting to answer some listener questions with our group of opinionated GMs. Little did he know that we wanted to ask a few questions of our own.
Continue reading “The New Worlds Tale”

The Menacing Villain Tale

We start with an impossibly powerful villain and try to figure out interesting fashions to make them feel menacing without having them feel staged or forced.
Continue reading “The Menacing Villain Tale”

The Bar Brawl Tale

David and Ben talk about how you can get a brawl happening in a bar without your players going murder happy.

From how to split a scene into two encounters to why it’s okay to do so we dive deep into brawling in public.

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The Tale of Fear

We talk of fear checks and how some really dislike them, bringing a full top to bottom examination while giving a few ideas on how to make them much more awesome than a pit trap.

Continue reading “The Tale of Fear”

The Herding Players Tale

This week Joshua asks David and Ben why his players are floundering after giving them an open sandbox to work with.

Discussion erupts around ways to move the story along and ways of presenting story that players care about.

Continue reading “The Herding Players Tale”

Confessions of a Newb GM: Making the Obelisk Smaller

I’m going a bit more in depth on what you can do with the language used on Obsidian Portal today. I do have a tiny bit of programming knowledge which helps me find what I’m wanting on the dense reference page linked by Obsidian Portal. Here are several things I’ve found and bashed into working for me. I’m going to be referring back to my Draeks page quite a few times, so it might be useful to have it open in another tab.

General Formatting:

Formatting for the fluff is pretty simple. Treat it like normal paragraphs, or at most highlight and use the nice little icons at the top of the text box, these are the same that you find in forums almost everywhere. A few recommendations to keep it from becoming unweildy:

  • Keep bullet points to a minimum
  • Choose one heading size and stick to it. The page is already sectioned off into two major halves, anything more no one is reading.
  • Link everything
  • Link everything

The Period:

Textile lets you mess around with commands in its language and combine different commands easily, you can smash together alignment, bold, and size changes all at once with a single leading string of seemingly nonsensical characters followed by a period. It’s the period that tells textile the random stuff that came before are commands to follow.

Linking:

Linking can be easy if information is treated simply. Having long wiki titles and character names becomes unwieldy when more and more entries show up to look through. Tags and the insert links can help, but become a hassle for simple entry. The reason to keep the slugs and the titles short is the ease of Quick Links.

Character Quick Links can be put in with a double square bracket and a colon before the slug. [[:icor]] will bring up and display Icor Brimarch and link to his page with decidedly less typing and creating a link. The colon is what tells Obsidian Portal that the link is for a character.

Wiki Quick Links are a little trickier because you can’t create slugs for them. This is why you want to have the name as short as possible and preferably unique. I can link to The Lepskin Void by putting square brackets around it like so [[The Lepskin Void]] and it becomes hyper linked. The problem stems from long page names and a desire for nicknaming things. The Void, Lepskin Void, and The Lepskin Void all would go to different places. The easiest way of dealing with this is use a short but practical name that can be chosen from a list.

Modifying Links:

Quick links are great, but you can do another thing to them that makes them even better. Quick links can be modified to display whatever you want by placing a | between the link and the description.

Examples:

[[:icor | Bantha Express Executive]]
[[:draeks | Fuzzy Commander]]
[[sullustan brotherhood| smugglers]]

 Tables:

Tables are a little weird but easy to implement if you take time to deal with them. The thing to remember is width; you want to make it as easy to remember the width as possible. The Obsidian Portal back end automatically widens the column to the width of whatever is in there, a long sentence will become a really wide cell which makes for a very wide column. Textile has a few cute tricks that I’ve learned to use. This is the result of my meddling with my little table.

Dreaks

Surprisingly enough the usual width of stat blocks works, either the D20 eight or the FFG Star Wars six. Underneath the header cells can go the values for each header and this makes it easy to figure out what number go with which attribute.

The reason you want it to be as condensed vertically as possible is ease of grouping. If you have two rows of things that people are looking at and they are aligned vertically it’s easy to pick out what is being done, and easier to maintain while adding more stuff without reformatting, adding layers and layers to a big table club house sandwich.

As you can see I have double width columns for skills/talent names as well as implying one thing describes two separate stats. Towards the bottom I have full across lines that are there for equipment. This is allowing extra information to be stored while not making a single column become too wide and looking ‘weird’.

Basics

The very basics are vertical lines | and they are the start and end of a cell, they split up everything you want to split into another cell on the same row. Vertical breaks are dealt with by line breaks in the edit field, what’s on one line stays on that line and what is on the next line goes on the next line. With just that you can make a stat block.

EG

|Brawn|Agility|Intellect|Cunning|Willpower|Presence|
|1|2|2|4|3|3|

Creates

Brawn Agility Intellect Cunning Willpower Presence
1 2 2 4 3 3

Splitting Cells

The ‘fun’ is when you start wanting to combine two cells to either make room for more stuff, such as two longer words, or giving the implied use of one header to two lower cells. This is also used for making one cell take up more columns such as where I’m using a whole row as a title line. You can also have a cell become two high making it apply to the two things next to it. The command for this is a slash followed by a number followed by the command period to activate it, before the entry in the cell. The slashes have meanings \ means a horizontal amount of cells being combined and / means a vertical number of cells being combined. The number is the number of cells combined and they can even be combined so that |\2/2. Turns into a 2 cell by 2 cell block where you can put whatever text you want.

EG:

|\2.Defense|, |/2. Weapon quality|.

Slight Tweaks

Every table needs a few tweaks to get it to display the way you want. There are things like the _ that turns cell into a header cell and gives the contents an emphasis (normally bold unless you get really creative) and centers it in the cell. There is the justification groups < left, > right, and = centered. If you have a large cell and want justify you can use the left and right together to tell it to <> justify. In tall cells you can do ^ to put it on the top, and ~ to put it on the bottom.

Out of the Cell

Most of the tweaks can be used for a paragraph, the p tag, or headers, the h1 through h6 tags, as long as you follow it with a period.

If all you want to do is mess around with only a few words out of a whole, you can. Using _ on both sides of a word make it italicized, using * on both sides of a word makes it bold, and using + on both sides allows it to underline (yeah programmers make little sense).

Medium Tweaks

I like making my tables with color, what I’m using for it can apply to just a cell, a whole row, or an entire table. The difference in usage from coloring a cell and a row is fairly minimal. The main part of the code bafflegab that the color is formed is {Background:#hhh} the ‘fun’ part is that after the # comes a web safe hex color number (first two digits on the left hand side and the last on the top). Using the same basic structure we can change the text color, while inside the cell and next to the text you want to color put in the bafflegab of {Color:#hhh}  using the linked color palates. To change things across an entire table a line before the first | is put in Table{anyofthecommandsyouwant}.

A Closing

What I’ve described here has been the virtual entirety of what I have used to create the Lepskin Rising site. This has been fun to detail and next week I’ll be getting back to more on efficient planning.